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Mighty Morphin Power Rangers: The Movie is a 1995 American superhero film produced by Saban Entertainment and released by 20th Century Fox. The story is an alternate re-telling of the Mighty Morphin Power Rangers television series as the Power Rangers defend Angel Grove from the vengeful Ivan Ooze.

Synopsis[]

When an egg in Angel Grove is unearthed, Lord Zedd and Rita Repulsa release the creature inside, Ivan Ooze. Zordon trapped him inside thousands of years ago, so Ivan leaves to seek revenge. Ivan destroys the interior of the Command Center, almost killing Zordon, weakening and slightly fraying Alpha 5, and causing the Power Rangers to lose their powers. The Power Rangers must go on a quest to find new Ninja powers on Phaedos, granted to them by Dulcea.

Plot[]

As the film begins, Angel Grove is holding a charity carnival to save the local observatory in time for the arrival of Ryan's Comet, which is set to pass by Earth in three days. Among the events is a skydiving competition, which Rocky, Adam, Billy, Aisha, Kimberly, Tommy (the Mighty Morphin Power Rangers), and Bulk and Skull are in. Though the Rangers' performances and landings impress the crowds and their young friend Fred Kelman, Bulk and Skull miss the landing field entirely and end up parachuting down into a construction site. As they leave, the crew stumbles upon a strange chamber containing a giant egg.

While rollerblading to Ernie's, the Rangers are summoned to the Command Center by their mentor Zordon and his robotic aide Alpha 5. Zordon tells them the tale of Ivan Ooze, an intergalactic tyrant that he and a team of warriors trapped inside a Hyperlock Chamber six thousand years ago, and which the construction crew has just discovered. Fearing for Ivan's return, Zordon tells the Rangers to head to the chamber and rebury it before the arrival of an enemy beyond all imagination.

As night falls on the city, the construction site stirs with life as Lord Zedd and Rita Repulsa appear to release Ivan Ooze from his captivity and direct his vengeance towards Zordon. When the Rangers arrive, Ivan summons his own personal minions to fight them while he teleports to the Command Center and proceeds to destroy it. By the time the Rangers finish off the Oozemen, their powers vanish.

Returning to the Command Center, the Rangers witness the destruction left by Ivan and rush to Zordon's side. With his time-warp shattered, Zordon is rapidly aging and dying. The Rangers seek a way to save their mentor, and so Alpha tells them of a great power on the distant planet Phaedos that could save Zordon, but not without great risk. Using the last of the Command Center's power, the Rangers are teleported to Phaedos.

Up on the moon, Ivan Ooze returns to Lord Zedd's palace and is angered by Rita for not destroying the Rangers. Annoyed at their incompetence, Ivan turns on Zedd and Rita by trapping them in a snowglobe, then gives their minions Goldar and Mordant the choice to either swear allegiance to him or be trapped with Rita and Zedd. To save their own hides, they agree to serve him. Ivan then creates an army of Tengu Warriors to find the Rangers on Phaedos and destroy them.

On Phaedos, the Rangers are attacked by the Tengu and are nearly killed, until a female warrior appears and drives them off. She orders the Rangers to leave with their lives while they can. When she is told of Ivan Ooze's escape and his attack on Zordon, she introduces herself as Dulcea, Master Warrior of Phaedos, and agrees to help the Rangers find the great power.

In Angel Grove, Ivan establishes an abandoned factory as his personal lair and begins his plan to rebuild a pair of weapons Zordon had buried long ago, the Ectomorphicon Titans, but he needs added manpower to dig them out. Disguising himself as a wizard, Ivan infiltrates the charity carnival and gives out free jars of ooze to the children. Though the kids and teenagers only see it as a fun novelty, the ooze hypnotizes adults on skin contact and turns them into Ivan's zombie-like slave laborers. When the Tengu return and report their failure and Dulcea's involvement to Ivan, he responds by blowing them up and ordering the adults to finish the excavation by dusk. When Fred's own father goes missing after coming into contact with a jar of ooze, Fred sets out to find him and discovers Ivan at the construction site. From his hiding place, he is able to learn of Ivan's true plans.

As they stand around the campfire, Dulcea teaches the Rangers about Ninjetti, the Great Power that makes all things possible, and the hidden temple where it resides. She cannot travel with them to seek it because she would age and perish like Zordon currently is, so Dulcea instead gives the Rangers new powers based on the six Ninjetti animals: the red Ape, the black Frog, the blue Wolf, the yellow Bear, the pink Crane, and the white Falcon. On their way, they must battle a living dinosaur skeleton and contend with the four Gatekeepers of the temple before the Great Power is bestowed upon them, allowing them to morph into the Power Rangers again and return to Earth.

Back on Earth, the Ectomorphicon Titans are fully rebuilt. After commanding the adults to go leap to their doom at the construction site, Ivan brings his creations to life and orders them to destroy Angel Grove as he and Goldar watch from the observatory. Fred, having followed Ivan, runs to Ernie's and rallies the other kids and Bulk and Skull to help him rescue the adults, and they all take the Monorail to the construction site.

When the Rangers return to Earth, they call upon their new Ninjazords to battle the Titans. They destroy the first of the Titans, Scorpitron, and corner its partner Hornitor. Angry, Ivan fuses with Hornitor to increase its power, takes the observatory out of the ground to use as a lance, and destroys the monorail track as he marches forward to battle. The Rangers form the Ninja Megazord to try and destroy him, while Tommy is briefly forced to protect the kids by helping the monorail avoid falling off the broken track. He soon rejoins the battle to form the Ninja MegaFalconzord. At the construction site, Fred orders the kids to put all their strength in holding back the hypnotized adults from jumping, while Bulk and Skull help him use a cherry picker with a fire hose to push them back further.

Now flight-capable, the Rangers lure Ivan off of Earth and into space, where they intend to lure him into the path of Ryan's Comet. Ivan proves hard to shake off and the Rangers are unable to break free from his grip as the comet draws near, but the Rangers throw Ivan off their Megazord with a knee to his groin (courtesy of Aisha) and quickly leave as Ivan crashes into the comet. With Ivan's death, the adults are also freed from his hypnosis and reunited with their children.

The Rangers return to the Command Center, only to be told by Alpha that Zordon has already died. The Rangers mourn his loss, until Tommy reminds them that anything is possible with the Great Power. The Rangers form a circle around him and infuse him with the energy of their new powers. As a result, Zordon is successfully revived and restored to his time warp, while the Command Center is also repaired and returned to its former glory as if nothing happened. The Rangers and Zordon are very happy to see that each other is all right.

The movie ends with a celebration for the Power Rangers at Angel Grove Harbor. As the Rangers enjoy a much-deserved victory party and fireworks, they take time to thank Fred for his role in saving the parents and comment that he could make a great Ranger himself one day, which Fred looks forward to. When a message thanking the Power Rangers is lit, Bulk and Skull are offended, even though the two of them just had a major part in saving people's lives.

In a mid-credits scene, back on the moon Goldar has taken the throne and proclaimed himself to be the new ruler of the universe. However his reign is short-lived as Zedd and Rita return, making both Goldar and Mordant realize they're in a lot of trouble.

Credits[]

  • Directed by: Bryan Spicer
  • Screenplay by: Arne Olsen
  • Story by: John Kamps, Arne Olsen
  • Produced by: Haim Saban, Shuki Levy, Suzanne Todd
  • A Saban Entertainment/Toei Company Production
  • Starring
  • Karan Ashley as Aisha/Yellow Ranger
  • Johnny Yong Bosch as Adam/Black Ranger
  • Steve Cardenas as Rocky/Red Ranger
  • Jason David Frank as Tommy/White Ranger
  • Amy Jo Johnson as Kimberly/Pink Ranger
  • David Yost as Billy/Blue Ranger
  • Jason Narvy as Skull
  • Paul Schrier as Bulk
  • Paul Freeman as Ivan Ooze
  • A Bryan Spicer Film
  • Director of Photography: Paul Murphy, A.C.S.
  • Production Designer: Craig Stearns
  • Edited by: Wayne Wahrman, A.C.E.
  • Co-Producer: David Coatsworth
  • Music by: Graeme Revell
  • Costume Designer: Joseph Porro
  • Unit Production Manager: David Coatsworth
  • First Assistant Director: Steve Love
  • Art Director: Colin Gibson
  • Second Unit Director: Gary Hymes
  • Set Decorator: Tim Ferrier
  • “A” Camera Operators: David Williamson, Andre Fleuren
  • 1st Assistant “A” Camera: Damian Wyvill
  • 2nd Assistant “A” Camera: Rebecca Steele
  • “B” Camera Operators: Tracey Kubler, Calum McFarlane
  • 1st Assistant “B” Camera: Mike Kelly
  • 2nd Assistant “B” Camera: Rob Marsh
  • Steadicam Operators: Ian McMillan, Philip M. Cross
  • Additional Camera Operator: Michael Genne
  • Video Split Operator: Michael Taylor
  • Sound Recordist: Bob Clayton
  • Boom Operator: Andy Duncan
  • Stunt Coordinator: Rocky McDonald
  • Stunt Riggers: Jim Stephan, Merritt Yohnka, Tom DeWeir
  • Australian Production Manager: Sue Wild
  • Second Assistant Director: Christopher Dow
  • Unit Managers: Chris Jones, Rick Kornaat
  • Unit Coordinator: Michael Lippold
  • Production Coordinator: Sharon Miller
  • U.S. Production Coordinator: Anthony Allegre
  • Assistant Production Coordinator: Paul Ranford
  • Script Supervisors: Kate Dennis, Victoria Sullivan
  • Financial Controller: Susan Muir
  • Production Accountant: Jane Corden
  • Assistant Accountants: Liane Lee, Trish Ashenden
  • Australian Casting: Liz Mullinar Consultants, Christine King
  • Original Series Casting by: Katy & Co.
  • Gaffer: Christopher Fleet
  • Best Boy Electric: Phil Mulligan
  • Electricians: Matthew Buchan, Robbie Burr, Matt Clyde, Russell Fewtrell, John Lee, Paul Schmidt, Colin R. Wyatt
  • Lighting Coordinator: Mick Morris
  • Rigging Gaffer: Gary Hill
  • Rigging Best Boy: Paul Cumming
  • Key Grip: David Nichols
  • Best Boy Grip: Toby Copping
  • Crane Grip: Greg Molineaux
  • Grips: Jorge Escanuela, Greg King, David Litchfield, Lee MacKay, Paul “Sweet Pea” Smith, Mick Vivian, Keith Watkins
  • Costume Supervisor: Sanja Hays
  • Costumer: Terry Lamera
  • Standby Costumers: Lyn Askew, Lisa Galea, Jennifer Sant, Alex Westover
  • Assistant Standby Costumers: Kelly May, Fiona Holley
  • Workroom Supervisors: Beata Gidaszewski, Sherly Pilkinton, Sally Steele
  • Wardrobe Buyer: Amanda Irving
  • Wardrobe Assistants: Michelle Fallon, Jason Gibaud
  • Machinist: Helen Head
  • Costume Painter: Tristan Fitzgerald
  • Helmet Fitter: Peter Owens
  • Makeup/Hair Supervisor: Lynn Wheeler
  • Makeup/Hair Assistant: Kerry Lee Jury
  • Lord Zedd’s Castle and Alpha 5 Based on Designs by: Yuda Ako
  • Set Designer: William Passmore
  • Art Department Coordinator: Regina Lauricella
  • Design Draftsmen: Axel Bartz, Ian Robinson
  • Conceptual Artists: Theodore Van Doorn, Eric Brown, Tim Flattery
  • Key Storyboard Artist: Richard Newsome
  • Props Buyers/Set Dressers: Tara Kamath, Lon Lucini
  • Assistant Set Dresser: Martin Williams
  • Standby Props: George Zammitt
  • Assistant Standby Props: Kath Burton
  • Modelmaker: Lewis Morley
  • Construction Manager: John Rann
  • Construction Foremen: Greg Hajdu, Marcus H. Smith, Garth Croft, Dennis Smith
  • Sculptors: Tony Lees, Guido Helmsetter
  • Scenic Artists: Peter Collias, Ian Richter, Billy Malcolm
  • Location Manager: Peter Lawless
  • Location Assistant: Andy Howard
  • Assistants to Ms. Todd: Miranda Culley, Travis Knox
  • Assistants to Mr. Spicer: Jason Bath, Lissa Forwalter Spicer
  • Still Photographer: Jim Townley
  • Assistant Still Photographer: Marc Vignes
  • Unit Publicist: Rea Francis
  • Additional Editors: Frank Jimenez, Jere Huggins
  • First Assistant Editor: Gordon Antell
  • First Assistant Lightworks Editor: Warren Paeff
  • Assistant Editors: Lori Ball, Melissa J. T. Carter, Nick Cole, Tom Demauri, Penny Lee Hallin, Geoff Lamb, Abby McNabney, Richard Pain
  • Trainee Assistant Editor: Sian Savage
  • Soundtrack Executive: Andrew Leary
  • Supervising Music Editor: Joshua Winget
  • Songs and Temp Score: Segue Music
  • Scoring Mixer: Dan Wallin
  • Orchestrations and Conducting: Tim Simonec
  • Orchestra: West Australian Symphony Orchestra
  • Studio: ABC Studio 620, Perth, Australia
  • Technical Coordinator/ABC: Karl Akers
  • Scoring Services: Rookpark P/L, Malcolm Luker, Brendon Darby
  • Original Television Musical Themes: Shuki Levy, Kussa Mahchi, Ron Wasserman
  • Music Supervision for Saban: Ron Kenan
  • Supervising Sound Editor: John A. Larsen
  • Rerecording Mixers: Chris Carpenter, Bill W. Benton, Gregory H. Watkins
  • Sound Effects Editors: Paul Urmson, Adam Kopald, Scott A. Jennings
  • Dialogue Editors: Jim Brookshire, David Spence, M.P.S.E.
  • ADR Supervisor: R. J. Kizer
  • ADR Editors: Jeff Payne, Barbara Boguski
  • Foley Editors: Donald Slyvester, Scott Curtis
  • Foley Artists: Ellen Heuer, Chris Moriana
  • Foley Mixer: David Jobe
  • Foley Recordist: Don Givens
  • Technical Sound Supervisors: Gayle Wesley, Lewis Goldstein
  • Assistant Sound Editors: Ted Caplan, Linda DiFranco, Jeffrey J. Osmer
  • ADR Assistant Editor: Susan Shackelford
  • Recordist: Robert Renga
  • Stage Engineer: Denis St. Amand
  • Sound Facilities provided by: Twentieth Centruy Fox Sound Department
  • Second Second Assistant Directors: Michael Mercurio, Noni Roy, Harriet Spalding
  • Australian Corporate Production Services by: Richard Reiner, James McKendrick
  • Production Secretaries: Laura May Alcock, Trish Wallace
  • Key Office Asssitant: Claire Davidson
  • Behind-the-Scenes Video: Clare Shervington
  • Production Asssitants: Sally Charles, Anton Denby, Dimitri Ellerington, Melani Lewis, Anna McDonnell, Lyndie Menken, Troy Von Reichman, Julian Ryan, Rowena Zande
  • Special Effects Supervisor: Tad Pride
  • Special Effects Coordinator: Steve Courtley
  • Department Coordinator: Tom Davies
  • Special Effects Stunt Rigging: Pollard Productions, Sydney, Australia, James Ring, Valdis “Wally” Selies
  • Visual Effects Supervisor: Erik Henry
  • Visual Effects Coordinator: Steve Dellerson
  • Visual Effects Ramrod: Gig Rackauskas
  • Visual Effects Estimator: Dana Mayer
  • Visual Effects Editor: Kathy Chasen-Hay
  • Visual Effects Assistant Editors: Jeff Etcher, Jessica Landaw
  • Visual Effects Assistant: Linda Koncel
  • Effects Storyboard Artist: Gary Thomas
  • Visual Effects Apprentice Editor: Jason Gaudio
  • Visual Effects by: VIFX
  • Visual Effects Supervisor: Richard Hollander
  • VIFX: Rhonda C. Gunner, Gregory L. McMurry, John C. Wash
  • Visual Effects Producers: Jennifer Bergman, Scott Peterson
  • Ooze Team Supervisor: John (D. J.) DesJardin
  • Ooze Team: Bruce Berman, Scott Giegler, Mike Norville
  • 3rd Act Team Supervisor: Antoine Durr
  • 3rd Act Team: Gary Abrahamian, James Bancroft, Bela Brozsek, Ivan DeWolfM, Mark Empey, Bryan Hirota, Anthony (Max) Ivins, Eric Jennings, Dan Kaufman, Jeroen Lapre, Morris May, Ernie Rinard, Chris Roda, Ha Ngan Roda, Francine “Freddi” Rokaw, Christopher Romano, Ira Shain
  • Digital Compositing Supervisors: Cheryl Budgett, Dean Fister
  • Digital Compositors: Tony Diep, Harry Lam, Candace Lewis, Laurie Livingstone, Edith Ellen Paul, Diane Piepol, Edwin Rivera, Aliza Sorotzkin
  • Matte Painters: Karen DeJohn, Tim Donahue, Alisaon Yerxa
  • Editorial: Gus Duron, Zeke Morales
  • Film Scanning: Dennis Bennett, Greg Bradner, Brade Spencer
  • Technical Support: Bob Froehlig, Gian Ganziano, Andy Korpa, Greg Kozikowski, Chris Russell
  • Special Effects: Richard O. Heimer
  • Producers’ Assistants: Patti Cerami, Josh R. Jaggars
  • Production Assistants: Ed Ros, Matt Schwalb, Wells Noonan

Optical Illusions, Inc. - Jeff Matakovich[]

  • Effects Editor: Leigh Rahl
  • Editor: Georgie Huntington
  • Coordinator: Joni Waller
  • Digital Compositing: Tony Noel, Kris Gregg, Reid Baker
  • Film Recording: Art Morel
  • Optical Camera: Greg Johnson
  • Animation: John Bermudes, Valentina Morzova-Carr, Sylvia Keulen, Marc Rubone, Stokes/Kohne Associates, Inc.

Digital Magic[]

  • Digital Effects Designer: Rich Thorne
  • Visual Effects Producer: Rodney Montague
  • Visual Effects Technical Supervisor: Jeff Pierce
  • Digital Transfer Technician: John Scheer
  • Senior Visual Effects Compositor: Brian Hanable
  • Visual Effects Compositor: Jack Andrew Atkins
  • Digital Rotoscoping: Heidy Lukas, Marc Scott, Joe Mandia
  • 3-D Animation/Morphing: John “Moose” Musumeci
  • Compositor: Ralph Maiers
  • Visual Effects Coordinator: Sharon Holly
  • Digital Transfer Technician: Todd Dusenberry
  • Color Correction Supervisor: Randy Starnes
  • Colorists: Demetri Kisopoulos, Paul Lear
  • 3D Animation: Spencer Knapp

Sessums Engineering[]

  • Head Design Engineer: Jask Sessums
  • Director of Photography: Michael O. Sajbel
  • Unit Line Producer: Gary Maxwell
  • First Assistant Camera/Operator: Dennis Rogers
  • Miniature Lighting Designer: Alan McFarland
  • Model Shop Manager/Builder: Jerry Greenwood
  • Assistant Line Producer: Jori Hudson
  • Miniature Gaffer 1/24 Scale: Dwight Campbell
  • Miniature Gaffer HO Scale: Michael Balog
  • Miniature Gaffer 1/12 Scale: Robert Krebsbach
  • Modelers: Greg Tracer, Dave Humpert, Dan Carter, Karl Roth

Wolf Drum Imaging[]

  • Executive Producer: John Ornelas, Jr.
  • Producer: Bob Robbins
  • Key Frame Animation/Technical Supervisor: Daniele Colajacomo
  • Key Frame Animator: Eric Daniels
  • Motion Capture Animation: George T. Karl
  • Model Sculptor/Character Wrangler: Eduardo Batres
  • Scene Lighting: Melinda Tidwell
  • Production Support Services: Commotion
  • Production Coordinator: L. Rhiannon Leffanta

Additional Visual Effects Produced by VCE - Peter Kuran[]

  • VCE Digital Effects: Michael Aguilar
  • VCE Effects Photography: William Conner

Creature Effects (Ivan Ooze, Bone Creature, Gatekeepers)[]

  • Studio Kite - Sydney, Australia
  • Desinger: Warren Beaton
  • Technical Supervisor: Steven Rosewell
  • Creature Effects Art Director: Vikki Kite
  • Foam Latex Supplied by: Makeup Effects Group

Global Effects, Inc. - U.S.A. (Alpha 5, Saba)[]

  • Alpha 5 Designed by: Chris Gilman
  • Sculptor: Conor McCullagh
  • Mechnics: Harvy G. Hubert
  • Electronics/On Set Tech: Tod A. Mathias
  • Patterns: Dean Alan Matherly
  • Coordinator: Shawna Ogden

Optic Nerve Studios - U.S.A. (Tengu Warriors, Lord Zedd)[]

  • John Vulich, Everett Burrell, Steve Koch, Russell Johnson, Matt Heimlich

Sticks & Stones - U.S.A. (Power Rangers Suits, Power Rangers Helmets)[]

  • Designed by: Rob Burman, Jennifer E. McManus
  • Crew: Barney Burman, Alex Diaz, Richard Jarel

Criswell Productions - U.S.A. (Goldar, Mordant)[]

  • John Criswell, Larry Finch
  • Creature Operators: Chris Koranek, Robin Sherwood

Digital Visual Effects by OCS / Freeze Frame / Pixel Magic[]

  • Digital Visual Effects Supervisor: Raymond E. McIntyre, Jr.
  • Digital Artist: Charlie Tang

Second Unit[]

  • Production Supervisor: Michael Levine
  • Second Unit Director/Ooze Fight: Jeff Imada
  • Second Unit Director/Stunt & Fight Coordinator: Jeff Pruitt
  • Director of Photography: Ian Jones
  • First Assistant Directors: Colin Fletcher, David Rose
  • Second Assistant Directors: James McTiegue, Karen Mahood
  • Third Assistant Directors: Michael Sparkes, Stefan Laguna
  • Continuity: Sophie Fabbri-Jackson, Lyn Aronson
  • Coordinator: Basia Plachecki
  • Camera Operators: Brian Breheny, Gary Phillips, Katherine Millis
  • First Assistants Camera: Katrina Crook, Lyddy Van Gyen
  • Second Assistants Camera: Frank Flick, Michael Pickells
  • Video Split Operator: Abe Elshaikh
  • Art Director: Prisque Salvi
  • Property Master: Andy Playford
  • Key Grip: Grant Neilsen
  • Assistant Grip: Brett Marks
  • Gaffer: Craig Bryant
  • Best Boy: Chris Hertzfeld
  • Unit Managers: Paul Malane, James Hopwood
  • Plate Unit Director of Photography: Steven Newman, A.C.S.
  • Motion Control Operators: Steve Switaj, Eric Swenson
  • Unit Nurses: Mandy Ling, Patsy Buchan
  • Safety Officer: Rob Greenough
  • Caterer: John Faithfull
  • Craft Services: Kim Steblina, Kit Quarry
  • Acting Coach: Kerry Walker
  • Extras Casting: Judith Cruden, Jane Dawkins
  • Payroll Sevices: Money Penny Services, Cast & Crew Payroll
  • Titles and Opticals by: Pacific Title
  • Color Timer: Dennis McNeill
  • Negative Cutter: Gary Burritt

Cast[]

  • Gabrielle Fitzpatrick as Dulcea
  • Nicholas Bell as Zordon
  • Peta-Maree Rixon as Alpha 5
  • Jean Paul Bell as Mordant
  • Kerry Casey as Goldar
  • Mark Ginther as Lord Zedd
  • Julia Cortez as Rita Repulsa
  • Jamie Croft as Fred Kelman
  • Paul Pantano, Mitchell McMahon, Tim Valka as Kids
  • Peter Mochrie as Mr. Kelman
  • Scott McGregor as Security Guard
  • Paula Morrell as Reporter
  • Paul Goddard, Robert Simper as Construction Workers
  • Robyn Gol as Zombie Parent Dancer
  • Voice Characterization: Kerrigan Mahan, Robert L. Manahan, Robert Axelrod, Barbara Goodson, Richard Wood, Martin G. Metcalf
  • Stunt Players: Sophia Crawford, Hien Nguyen, Stuart Quan, Bridgett Riley, Danny Wayne Stallcup, David Wald, Tetsuji Hashimoto, Tadahiro Nakamura, Ed Neil, Tomoo Oe, Keiya Tabuchi, Jim Stephan, Andrew Cavanagh, Scott Crawford, Paul Doyle, Nash Edgerton, Terry Flanagan, Dean Gould, Lou Horvath, Tony Lynch, Kathy McMorrow, Cesa Mora, Callan Mulvey, Cinnamon Pollard, Priscilla Schwartzman, Sotiri Sotiropoulos, Gillian Statham, Avrial Wynne
  • The Producers Wish to Thank: The Conservation Commission of the Northern Territory, The City of Sydney, Australia, The State of New South Wales, The State of Queensland, Produced with the Assistance of the National Parks and Wildlife Service of New South Wales, Jonathan Tzachor
  • Music Supervisors: Happy Walters, Pilar McCurry
  • Arriflex Cameras supplied by: Sammuelson’s Film Service, Australia
  • Dailies by: Atlab, Australia
  • Color by: Deluxe®
  • Copyright © 1995 Twentieth Century Fox Film Corporation - All Rights Reserved
  • Twentieth Century Fox Film Corporation is the author of this motion picture for purposes of copyright and other laws.
  • Mighty Morphin Power Rangers and all logos, character names and likenesses thereof are trademarks of Saban Entertianment, Inc. and Saban International N.V. and are registered or are pending registration around the world.
  • The events, characters and firms depicted in this photoplay are ficitious. Any similarity to actual persons, living or dead, or to actual events or firms is purely coincidental.
  • Ownership of this motion picture is protected by copyright and other applicable laws, and any unauthorized duplication, distribution or exhibition of this motion picture could result in criminal prosecution as well as civil liability.
  • Quality assurance services for the release of Mighty Morphin Power Rangers — The Movie were provided by the THX Theatre Alignment Program.
  • Released By: Twentieth Century Fox
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